Il Trovatore, Teatre Principal,Menorca,Spain
“Out of the male voices, the one who appeared to be in best voice was the bass from Barcelona Stefano Palatchi. In the racconto di Ferrando (“Di due figli...”) he was rounded and was also a very convincing actor. The experience is a cut above”. J. V. Vañó, Diario de Menorca, December 2011
“Ferrando, the great bass Palatchi, was splendid. It is a luxury to have a voice such as his for such a short, yet at the same time demanding, role. At the beginning of the opera he showed off his technique and aplomb. Bravo Stefano!” Toni Florit, Una noche en la ópera, December 2011
Roméo et Juliette by Gounod,Teatro di Modena,Italy
“Palatchi is a good Frère Laurent, thanks to a full-bodied voice and an appropriate accent”. Matteo Iemmi, GB Opera.it, November 2011
“The Catalan bass-baritone Stefano Palatchi was a good Frère Laurent with optimum vocal tone, a warm and effective voice” Mirko Bertolini, Teatro.org, November 2011
Thaïs by Massenet,Edinburgh International Festival,UK
“Stefano Palatchi was a sincere and restrained Palemon” Catriona Graham, Theoperacritic, August 2011
L’enfance du Christ by Berlioz,Cathédral de Nantes,France
“L’ouvre reste un vrai défi pour les chanteurs, le quator se montre exemplaire, le baryton et la basse Stefano Palatchi dans une partition extrêmement ardue, ont eux trascendé l’ouvre”. Lelian, Courier de l’ouest, 13 May 2011
Roméo et Juliette by Gounod,Opéra de Lausanne,Switzerland
“Stefano Palatchi has all the qualities required of a bass voice for the role of Laurent” Giles Charlassier, Anaclase.com, 25th March 2011
“Stefano Palatchi plays a Frère Laurent of noble heart and soul” Arnaud Buissonin, Resmusica.com, 25th March 2011